Mad Girl's Love Song

Mad Girl's Love Song

I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)

The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.

I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)

God topples from the sky, hell's fires fade:
Exit seraphim and Satan's men:
I shut my eyes and all the world drops dead.

I fancied you'd return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)

I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)”
― Sylvia Plath

As I Walked Out One Evening By W. H. Auden, 1907 - 1973

As I Walked Out One Evening
W. H. Auden, 1907 - 1973

As I walked out one evening,
   Walking down Bristol Street,
The crowds upon the pavement
   Were fields of harvest wheat.

And down by the brimming river
   I heard a lover sing
Under an arch of the railway:
   'Love has no ending.

'I'll love you, dear, I'll love you
   Till China and Africa meet,
And the river jumps over the mountain
   And the salmon sing in the street,

'I'll love you till the ocean
   Is folded and hung up to dry
And the seven stars go squawking
   Like geese about the sky.

'The years shall run like rabbits,
   For in my arms I hold
The Flower of the Ages,
   And the first love of the world.'

But all the clocks in the city
   Began to whirr and chime:
'O let not Time deceive you,
   You cannot conquer Time.

'In the burrows of the Nightmare
   Where Justice naked is,
Time watches from the shadow
   And coughs when you would kiss.

'In headaches and in worry
   Vaguely life leaks away,
And Time will have his fancy
   To-morrow or to-day.

'Into many a green valley
   Drifts the appalling snow;
Time breaks the threaded dances
   And the diver's brilliant bow.

'O plunge your hands in water,
   Plunge them in up to the wrist;
Stare, stare in the basin
   And wonder what you've missed.

'The glacier knocks in the cupboard,
   The desert sighs in the bed,
And the crack in the tea-cup opens
   A lane to the land of the dead.

'Where the beggars raffle the banknotes
   And the Giant is enchanting to Jack,
And the Lily-white Boy is a Roarer,
   And Jill goes down on her back.

'O look, look in the mirror,
   O look in your distress:
Life remains a blessing
   Although you cannot bless.

'O stand, stand at the window
   As the tears scald and start;
You shall love your crooked neighbour
   With your crooked heart.'

It was late, late in the evening,
   The lovers they were gone;
The clocks had ceased their chiming,
   And the deep river ran on.

Excelsior, by Walt Whitman

Who has gone farthest? for I would go farther,
And who has been just? for I would be the most just person of the
   earth,
And who most cautious? for I would be more cautious,
And who has been happiest? O I think it is I--I think no one was ever
   happier than I,
And who has lavish'd all? for I lavish constantly the best I have,
And who proudest? for I think I have reason to be the proudest son
   alive--for I am the son of the brawny and tall-topt city,
And who has been bold and true? for I would be the boldest and truest
   being of the universe,
And who benevolent? for I would show more benevolence than all the
   rest,
And who has receiv'd the love of the most friends? for I know what it      is to receive the passionate love of many friends,
And who possesses a perfect and enamour'd body? for I do not believe
   any one possesses a more perfect or enamour'd body than mine,
And who thinks the amplest thoughts? for I would surround those
   thoughts,
And who has made hymns fit for the earth? for I am mad with
   devouring ecstasy to make joyous hymns for the whole earth.

A Confession to a Friend in Trouble, by Thomas Hardy, 1840 - 1928

Your troubles shrink not, though I feel them less
Here, far away, than when I tarried near;
I even smile old smiles—with listlessness—
Yet smiles they are, not ghastly mockeries mere.

A thought too strange to house within my brain
Haunting its outer precincts I discern:
—That I will not show zeal again to learn
Your griefs, and, sharing them, renew my pain. . . .

It goes, like murky bird or buccaneer
That shapes its lawless figure on the main,
And each new impulse tends to make outflee
The unseemingly instinct that had lodgment here;
Yet, comrade old, can bitterer knowledge be
Than that, though banned, such instinct was in me!

Week-night Service, by D. H. Lawrence

The five old bells
Are hurrying and eagerly calling,
Imploring, protesting
They know, but clamorously falling
Into gabbling incoherence, never resting,
Like spattering showers from a bursten sky-rocket dropping
In splashes of sound, endlessly, never stopping.

The silver moon
That somebody has spun so high
To settle the question, yes or no, has caught
In the net of the night’s balloon,
And sits with a smooth bland smile up there in the sky
Smiling at naught,
Unless the winking star that keeps her company
Makes little jests at the bells’ insanity,
As if he knew aught!

The patient Night
Sits indifferent, hugged in her rags,
She neither knows nor cares
Why the old church sobs and brags;
The light distresses he eyes, and tears
Her old blue cloak, as she crouches and covers her face,
Smiling, perhaps, if we knew it, at the bells’ loud clattering disgrace.

The wise old trees
Drop their leaves with a faint, sharp hiss of contempt,
While a car at the end of the street goes by with a laugh;
As by degrees
The poor bells cease, and the Night is exempt,
And the stars can chaff
The ironic moon at their ease, while the dim old church
Is peopled with shadows and sounds and ghosts that lurch
In its cenotaph.

Michael Rosen

"I sometimes fear that
people think that fascism arrives in fancy dress
worn by grotesques and monsters
as played out in endless re-runs of the Nazis.
Fascism arrives as your friend.
It will restore your honour,
make you feel proud,
protect your house,
give you a job,
clean up the neighbourhood,
remind you of how great you once were,
clear out the venal and the corrupt,
remove anything you feel is unlike you...
It doesn't walk in saying,
"Our programme means militias, mass imprisonments, transportations, war and persecution."

Michael Rosen

The Pasture, by Robert Frost

I’m going out to clean the pasture spring;
I’ll only stop to rake the leaves away
(And wait to watch the water clear, I may):
I sha’n’t be gone long.—You come too.

I’m going out to fetch the little calf
That’s standing by the mother. It’s so young,
It totters when she licks it with her tongue.
I sha’n’t be gone long.—You come too.

Samuel Taylor Coleridge. 1772–1834. Kubla Khan

Samuel Taylor Coleridge. 1772–1834
 
550. Kubla Khan
 
  IN Xanadu did Kubla Khan
    A stately pleasure-dome decree:
  Where Alph, the sacred river, ran
  Through caverns measureless to man
    Down to a sunless sea.         5
  So twice five miles of fertile ground
  With walls and towers were girdled round:
And there were gardens bright with sinuous rills
Where blossom'd many an incense-bearing tree;
And here were forests ancient as the hills,  10
Enfolding sunny spots of greenery.

But O, that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e'er beneath a waning moon was haunted  15
By woman wailing for her demon-lover!
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced;
Amid whose swift half-intermitted burst  20
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher's flail:
And 'mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion  25
Through wood and dale the sacred river ran,
Then reach'd the caverns measureless to man,
And sank in tumult to a lifeless ocean:
And 'mid this tumult Kubla heard from far
Ancestral voices prophesying war!  30

  The shadow of the dome of pleasure
    Floated midway on the waves;
  Where was heard the mingled measure
    From the fountain and the caves.
It was a miracle of rare device,  35
A sunny pleasure-dome with caves of ice!

  A damsel with a dulcimer
    In a vision once I saw:
  It was an Abyssinian maid,
    And on her dulcimer she play'd,  40
  Singing of Mount Abora.
  Could I revive within me,
  Her symphony and song,
To such a deep delight 'twould win me,
That with music loud and long,  45
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!  50
Weave a circle round him thrice,
  And close your eyes with holy dread,
  For he on honey-dew hath fed,
And drunk the milk of Paradise.

To the Moon [fragment] By Percy Bysshe Shelley

   Art thou pale for weariness
Of climbing Heaven, and gazing on the earth,
   Wandering companionless
Among the stars that have a different birth,—
And ever changing, like a joyless eye
That finds no object worth its constancy?

Easter, 1916 W. B. Yeats

I have met them at close of day
Coming with vivid faces
From counter or desk among grey
Eighteenth-century houses.
I have passed with a nod of the head
Or polite meaningless words,
Or have lingered awhile and said
Polite meaningless words,
And thought before I had done
Of a mocking tale or a gibe
To please a companion
Around the fire at the club,
Being certain that they and I
But lived where motley is worn:
All changed, changed utterly:
A terrible beauty is born.

That woman’s days were spent
In ignorant good-will,
Her nights in argument
Until her voice grew shrill.
What voice more sweet than hers
When, young and beautiful,
She rode to harriers?
This man had kept a school
And rode our wingèd horse;
This other his helper and friend
Was coming into his force;
He might have won fame in the end,
So sensitive his nature seemed,
So daring and sweet his thought.
This other man I had dreamed
A drunken, vainglorious lout.
He had done most bitter wrong
To some who are near my heart,
Yet I number him in the song;
He, too, has resigned his part
In the casual comedy;
He, too, has been changed in his turn,
Transformed utterly:
A terrible beauty is born.

Hearts with one purpose alone
Through summer and winter seem
Enchanted to a stone
To trouble the living stream.
The horse that comes from the road,
The rider, the birds that range
From cloud to tumbling cloud,
Minute by minute they change;
A shadow of cloud on the stream
Changes minute by minute;
A horse-hoof slides on the brim,
And a horse plashes within it;
The long-legged moor-hens dive,
And hens to moor-cocks call;
Minute to minute they live;
The stone’s in the midst of all.

Too long a sacrifice
Can make a stone of the heart.
O when may it suffice?
That is Heaven’s part, our part
To murmur name upon name,
As a mother names her child
When sleep at last has come
On limbs that had run wild.
What is it but nightfall?
No, no, not night but death;
Was it needless death after all?
For England may keep faith
For all that is done and said.
We know their dream; enough
To know they dreamed and are dead;
And what if excess of love
Bewildered them till they died?
I write it out in a verse --
MacDonagh and MacBride
And Connolly and Pearse
Now and in time to be,
Wherever green is worn,
Are changed, changed utterly:
A terrible beauty is born.