Christina Rossetti

“Lie still, lie still, my breaking heart;
My silent heart, lie still and break:
Life, and the world, and mine own self, are changed
For a dream's sake.”

EROS, by Ralph Waldo Emerson

The sense of the world is short,—
Long and various the report,—
              To love and be beloved;
Men and gods have not outlearned it;
And, how oft soe’er they’ve turned it,
             ’Tis not to be improved.

Song of the Open Road, I by Walt Whitman, 1819 - 1892

Afoot and light-hearted I take to the open road,
Healthy, free, the world before me,
The long brown path before me leading wherever I choose. 

Henceforth I ask not good-fortune, I myself am good-fortune,
Henceforth I whimper no more, postpone no more, need nothing,
Done with indoor complaints, libraries, querulous criticisms,
Strong and content I travel the open road.

The earth, that is sufficient,
I do not want the constellations any nearer,
I know they are very well where they are,
I know they suffice for those who belong to them.

(Still here I carry my old delicious burdens,
I carry them, men and women, I carry them with me wherever I         go,
I swear it is impossible for me to get rid of them,
I am fill’d with them, and I will fill them in return.)

Ode to Psyche, by John Keats

O Goddess! hear these tuneless numbers, wrung          By sweet enforcement and remembrance dear, And pardon that thy secrets should be sung          Even into thine own soft-conched ear: Surely I dreamt to-day, or did I see          The winged Psyche with awaken’d eyes? I wander'd in a forest thoughtlessly,          And, on the sudden, fainting with surprise, Saw two fair creatures, couched side by side          In deepest grass, beneath the whisp’ring roof          Of leaves and trembled blossoms, where there ran                 A brooklet, scarce espied: Mid hush'd, cool-rooted flowers, fragrant-eyed,          Blue, silver-white, and budded Tyrian, They lay calm-breathing, on the bedded grass;          Their arms embraced, and their pinions too;          Their lips touch’d not, but had not bade adieu, As if disjoined by soft-handed slumber, And ready still past kisses to outnumber          At tender eye-dawn of aurorean love:                 The winged boy I knew; But who wast thou, O happy, happy dove?                 His Psyche true! O latest born and loveliest vision far          Of all Olympus’ faded hierarchy! Fairer than Phoebe's sapphire-region’d star,          Or Vesper, amorous glow-worm of the sky; Fairer than these, though temple thou hast none,                 Nor altar heap’d with flowers; Nor virgin-choir to make delicious moan                 Upon the midnight hours; No voice, no lute, no pipe, no incense sweet          From chain-swung censer teeming; No shrine, no grove, no oracle, no heat          Of pale-mouth’d prophet dreaming. O brightest! though too late for antique vows,          Too, too late for the fond believing lyre, When holy were the haunted forest boughs,          Holy the air, the water, and the fire; Yet even in these days so far retir’d          From happy pieties, thy lucent fans,          Fluttering among the faint Olympians, I see, and sing, by my own eyes inspir’d. So let me be thy choir, and make a moan                 Upon the midnight hours; Thy voice, thy lute, thy pipe, thy incense sweet          From swinged censer teeming; Thy shrine, thy grove, thy oracle, thy heat          Of pale-mouth’d prophet dreaming. Yes, I will be thy priest, and build a fane          In some untrodden region of my mind, Where branched thoughts, new grown with pleasant pain,          Instead of pines shall murmur in the wind: Far, far around shall those dark-cluster’d trees          Fledge the wild-ridged mountains steep by steep; And there by zephyrs, streams, and birds, and bees,          The moss-lain Dryads shall be lull’d to sleep; And in the midst of this wide quietness A rosy sanctuary will I dress With the wreath’d trellis of a working brain,          With buds, and bells, and stars without a name, With all the gardener Fancy e’er could feign,          Who breeding flowers, will never breed the same: And there shall be for thee all soft delight          That shadowy thought can win, A bright torch, and a casement ope at night,          To let the warm Love in!

Coldness in love

And you remember, in the afternoon
The sea and the sky went grey, as if there had sunk
A flocculent dust on the floor of the world: the festoon
Of the sky sagged dusty as spider cloth,
And coldness clogged the sea, till it ceased to croon.

A dank, sickening scent came up from the grime
Of weed that blackened the shore, so that I recoiled
Feeling the raw cold dun me: and all the time
You leapt about on the slippery rocks, and threw
Me words that rang with a brassy, shallow chime.

And all day long, that raw and ancient cold
Deadened me through, till the grey downs dulled to sleep.
Then I longed for you with your mantle of love to fold
Me over, and drive from out of my body the deep
Cold that had sunk to my soul, and there kept hold.

But still to me all evening long you were cold,
And I was numb with a bitter, deathly ache;
Till old days drew me back into their fold,
And dim hopes crowded me warm with companionship,
And memories clustered me close, and sleep was cajoled.

And I slept till dawn at the window blew in like dust,
Like a linty, raw-cold dust disturbed from the floor
Of the unswept sea; a grey pale light like must
That settled upon my face and hands till it seemed
To flourish there, as pale mould blooms on a crust.

And I rose in fear, needing you fearfully.
For I thought you were warm as a sudden jet of blood.
I thought I could plunge in your living hotness, and be
Clean of the cold and the must. With my hand on the latch
I heard you in your sleep speak strangely to me.

And I dared not enter, feeling suddenly dismayed.
So I went and washed my deadened flesh in the sea
And came back tingling clean, but worn and frayed
With cold, like the shell of the moon; and strange it seems
That my love can dawn in warmth again, unafraid.

Song, by T. S. Eliot

When we came home across the hill     No leaves were fallen from the trees;     The gentle fingers of the breeze Had torn no quivering cobweb down. The hedgerow bloomed with flowers still,     No withered petals lay beneath;     But the wild roses in your wreath Were faded, and the leaves were brown.

Ghost Music, by Robert Graves

Gloomy and bare the organ-loft, Bent-backed and blind the organist. From rafters looming shadowy, From the pipes’ tuneful company, Drifted together drowsily, Innumerable, formless, dim, The ghosts of long-dead melodies, Of anthems, stately, thunderous, Of Kyries shrill and tremulous: In melancholy drowsy-sweet They huddled there in harmony. Like bats at noontide rafter-hung.

Sunset, by E. E. Cummings

Great carnal mountains crouching in the cloud That marrieth the young earth with a ring, Yet still its thoughts builds heavenward, whence spring Wee villages of vapor, sunset-proud.— And to the meanest door hastes one pure-browed White-fingered star, a little, childish thing, The busy needle of her light to bring, And stitch, and stitch, upon the dead day’s shroud. Poises the sun upon his west, a spark Superlative,—and dives beneath the world; From the day’s fillets Night shakes out her locks; List! One pure trembling drop of cadence purled— “Summer!”—a meek thrush whispers to the dark. Hark! the cold ripple sneering on the rocks!

LETTERS, by Ralph Waldo Emerson

Every day brings a ship,
Every ship brings a word;
Well for those who have no fear,
Looking seaward well assured
That the word the vessel brings
Is the word they wish to hear.

Virginia Woolf, Mrs. Dalloway

“She had the perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very, very, dangerous to live even one day.”

Joyce Carol Oates

Her favored remark was Things could be a helluva lot worse delivered with a TVcomic shrug.

The Inward Morning, by Henry David Thoreau

Packed in my mind lie all the clothes
   Which outward nature wears,
And in its fashion’s hourly change
    It all things else repairs.

In vain I look for change abroad,
    And can no difference find,
Till some new ray of peace uncalled
    Illumes my inmost mind.

What is it gilds the trees and clouds,
    And paints the heavens so gay,
But yonder fast-abiding light
    With its unchanging ray?

Lo, when the sun streams through the wood,
    Upon a winter’s morn,
Where’er his silent beams intrude
    The murky night is gone.

How could the patient pine have known
    The morning breeze would come,
Or humble flowers anticipate
    The insect’s noonday hum,—

Till the new light with morning cheer
    From far streamed through the aisles,
And nimbly told the forest trees
    For many stretching miles?

I’ve heard within my inmost soul
    Such cheerful morning news,
In the horizon of my mind
    Have seen such orient hues,

As in the twilight of the dawn,
    When the first birds awake,
Are heard within some silent wood,
    Where they the small twigs break,

Or in the eastern skies are seen,
    Before the sun appears,
The harbingers of summer heats
    Which from afar he bears.

Mutability, by William Wordsworth

From low to high doth dissolution climb, And sink from high to low, along a scale Of awful notes, whose concord shall not fail; A musical but melancholy chime, Which they can hear who meddle not with crime, Nor avarice, nor over-anxious care. Truth fails not; but her outward forms that bear The longest date do melt like frosty rime, That in the morning whitened hill and plain And is no more; drop like the tower sublime Of yesterday, which royally did wear His crown of weeds, but could not even sustain Some casual shout that broke the silent air, Or the unimaginable touch of Time.

THE WOODLANDERS (1887) by Thomas Hardy

“He Looked and smelt like Autumn's very brother, his face being sunburnt to wheat-colour, his eyes blue as corn-flowers, his sleeves and leggings dyed with fruit-stains, his hands clammy with the sweet juice of apples, his hat sprinkled with pips, and everywhere about him the sweet atmosphere of cider which at its first return each season has such an indescribable fascination for those who have been born and bred among the orchards.”

That mirror, by Thomas Hardy

         Which makes of men a transparency,
            Who holds that mirror
And bids us such a breast-bared spectacle to see
            Of you and me?

            That mirror
         Whose magic penetrates like a dart,
            Who lifts that mirror
And throws our mind back on us, and our heart,
            Until we start?

            That mirror
         Works well in these night hours of ache;
            Why in that mirror
Are tincts we never see ourselves once take
            When the world is awake?

            That mirror
          Can test each mortal when unaware;
            Yea, that strange mirror
May catch his last thoughts, whole life foul or fair,
            Reflecting it—where?

American Fantastic Tales: Terror and the Uncanny from Poe to the Pulps, By Edith Wharton

“...but these backwaters of existence sometimes breed, in their sluggish depths, strange acuities of emotion... ("Afterward")” 

The Cold Heaven, by W. B. Yeats

Suddenly I saw the cold and rook-delighting heaven
That seemed as though ice burned and was but the more ice,
And thereupon imagination and heart were driven
So wild that every casual thought of that and this
Vanished, and left but memories, that should be out of season
With the hot blood of youth, of love crossed long ago;
And I took all the blame out of all sense and reason,
Until I cried and trembled and rocked to and fro,
Riddled with light. Ah! when the ghost begins to quicken,
Confusion of the death-bed over, is it sent
Out naked on the roads, as the books say, and stricken
By the injustice of the skies for punishment?

My Shadow By Robert Louis Stevenson

I have a little shadow that goes in and out with me,
And what can be the use of him is more than I can see.
He is very, very like me from the heels up to the head;
And I see him jump before me, when I jump into my bed.

The funniest thing about him is the way he likes to grow—
Not at all like proper children, which is always very slow;
For he sometimes shoots up taller like an india-rubber ball,
And he sometimes gets so little that there's none of him at all.

He hasn't got a notion of how children ought to play,
And can only make a fool of me in every sort of way.
He stays so close beside me, he's a coward you can see;
I'd think shame to stick to nursie as that shadow sticks to me!

One morning, very early, before the sun was up,
I rose and found the shining dew on every buttercup;
But my lazy little shadow, like an arrant sleepy-head,
Had stayed at home behind me and was fast asleep in bed.

When I Read the Book, by Walt Whitman

When I read the book, the biography famous,
And is this then (said I) what the author calls a man’s life?
And so will some one when I am dead and gone write my life?
(As if any man really knew aught my life,
Why even I myself I often think know little or nothing of my real life,
Only a few hints, a few diffused faint clews and indirections
I seek for my own use to trace out here.)

Mad Girl's Love Song

Mad Girl's Love Song

I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)

The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.

I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)

God topples from the sky, hell's fires fade:
Exit seraphim and Satan's men:
I shut my eyes and all the world drops dead.

I fancied you'd return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)

I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)”
― Sylvia Plath

As I Walked Out One Evening By W. H. Auden, 1907 - 1973

As I Walked Out One Evening
W. H. Auden, 1907 - 1973

As I walked out one evening,
   Walking down Bristol Street,
The crowds upon the pavement
   Were fields of harvest wheat.

And down by the brimming river
   I heard a lover sing
Under an arch of the railway:
   'Love has no ending.

'I'll love you, dear, I'll love you
   Till China and Africa meet,
And the river jumps over the mountain
   And the salmon sing in the street,

'I'll love you till the ocean
   Is folded and hung up to dry
And the seven stars go squawking
   Like geese about the sky.

'The years shall run like rabbits,
   For in my arms I hold
The Flower of the Ages,
   And the first love of the world.'

But all the clocks in the city
   Began to whirr and chime:
'O let not Time deceive you,
   You cannot conquer Time.

'In the burrows of the Nightmare
   Where Justice naked is,
Time watches from the shadow
   And coughs when you would kiss.

'In headaches and in worry
   Vaguely life leaks away,
And Time will have his fancy
   To-morrow or to-day.

'Into many a green valley
   Drifts the appalling snow;
Time breaks the threaded dances
   And the diver's brilliant bow.

'O plunge your hands in water,
   Plunge them in up to the wrist;
Stare, stare in the basin
   And wonder what you've missed.

'The glacier knocks in the cupboard,
   The desert sighs in the bed,
And the crack in the tea-cup opens
   A lane to the land of the dead.

'Where the beggars raffle the banknotes
   And the Giant is enchanting to Jack,
And the Lily-white Boy is a Roarer,
   And Jill goes down on her back.

'O look, look in the mirror,
   O look in your distress:
Life remains a blessing
   Although you cannot bless.

'O stand, stand at the window
   As the tears scald and start;
You shall love your crooked neighbour
   With your crooked heart.'

It was late, late in the evening,
   The lovers they were gone;
The clocks had ceased their chiming,
   And the deep river ran on.

Excelsior, by Walt Whitman

Who has gone farthest? for I would go farther,
And who has been just? for I would be the most just person of the
   earth,
And who most cautious? for I would be more cautious,
And who has been happiest? O I think it is I--I think no one was ever
   happier than I,
And who has lavish'd all? for I lavish constantly the best I have,
And who proudest? for I think I have reason to be the proudest son
   alive--for I am the son of the brawny and tall-topt city,
And who has been bold and true? for I would be the boldest and truest
   being of the universe,
And who benevolent? for I would show more benevolence than all the
   rest,
And who has receiv'd the love of the most friends? for I know what it      is to receive the passionate love of many friends,
And who possesses a perfect and enamour'd body? for I do not believe
   any one possesses a more perfect or enamour'd body than mine,
And who thinks the amplest thoughts? for I would surround those
   thoughts,
And who has made hymns fit for the earth? for I am mad with
   devouring ecstasy to make joyous hymns for the whole earth.

A Confession to a Friend in Trouble, by Thomas Hardy, 1840 - 1928

Your troubles shrink not, though I feel them less
Here, far away, than when I tarried near;
I even smile old smiles—with listlessness—
Yet smiles they are, not ghastly mockeries mere.

A thought too strange to house within my brain
Haunting its outer precincts I discern:
—That I will not show zeal again to learn
Your griefs, and, sharing them, renew my pain. . . .

It goes, like murky bird or buccaneer
That shapes its lawless figure on the main,
And each new impulse tends to make outflee
The unseemingly instinct that had lodgment here;
Yet, comrade old, can bitterer knowledge be
Than that, though banned, such instinct was in me!

Week-night Service, by D. H. Lawrence

The five old bells
Are hurrying and eagerly calling,
Imploring, protesting
They know, but clamorously falling
Into gabbling incoherence, never resting,
Like spattering showers from a bursten sky-rocket dropping
In splashes of sound, endlessly, never stopping.

The silver moon
That somebody has spun so high
To settle the question, yes or no, has caught
In the net of the night’s balloon,
And sits with a smooth bland smile up there in the sky
Smiling at naught,
Unless the winking star that keeps her company
Makes little jests at the bells’ insanity,
As if he knew aught!

The patient Night
Sits indifferent, hugged in her rags,
She neither knows nor cares
Why the old church sobs and brags;
The light distresses he eyes, and tears
Her old blue cloak, as she crouches and covers her face,
Smiling, perhaps, if we knew it, at the bells’ loud clattering disgrace.

The wise old trees
Drop their leaves with a faint, sharp hiss of contempt,
While a car at the end of the street goes by with a laugh;
As by degrees
The poor bells cease, and the Night is exempt,
And the stars can chaff
The ironic moon at their ease, while the dim old church
Is peopled with shadows and sounds and ghosts that lurch
In its cenotaph.

Michael Rosen

"I sometimes fear that
people think that fascism arrives in fancy dress
worn by grotesques and monsters
as played out in endless re-runs of the Nazis.
Fascism arrives as your friend.
It will restore your honour,
make you feel proud,
protect your house,
give you a job,
clean up the neighbourhood,
remind you of how great you once were,
clear out the venal and the corrupt,
remove anything you feel is unlike you...
It doesn't walk in saying,
"Our programme means militias, mass imprisonments, transportations, war and persecution."

Michael Rosen

The Pasture, by Robert Frost

I’m going out to clean the pasture spring;
I’ll only stop to rake the leaves away
(And wait to watch the water clear, I may):
I sha’n’t be gone long.—You come too.

I’m going out to fetch the little calf
That’s standing by the mother. It’s so young,
It totters when she licks it with her tongue.
I sha’n’t be gone long.—You come too.

Samuel Taylor Coleridge. 1772–1834. Kubla Khan

Samuel Taylor Coleridge. 1772–1834
 
550. Kubla Khan
 
  IN Xanadu did Kubla Khan
    A stately pleasure-dome decree:
  Where Alph, the sacred river, ran
  Through caverns measureless to man
    Down to a sunless sea.         5
  So twice five miles of fertile ground
  With walls and towers were girdled round:
And there were gardens bright with sinuous rills
Where blossom'd many an incense-bearing tree;
And here were forests ancient as the hills,  10
Enfolding sunny spots of greenery.

But O, that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e'er beneath a waning moon was haunted  15
By woman wailing for her demon-lover!
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced;
Amid whose swift half-intermitted burst  20
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher's flail:
And 'mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion  25
Through wood and dale the sacred river ran,
Then reach'd the caverns measureless to man,
And sank in tumult to a lifeless ocean:
And 'mid this tumult Kubla heard from far
Ancestral voices prophesying war!  30

  The shadow of the dome of pleasure
    Floated midway on the waves;
  Where was heard the mingled measure
    From the fountain and the caves.
It was a miracle of rare device,  35
A sunny pleasure-dome with caves of ice!

  A damsel with a dulcimer
    In a vision once I saw:
  It was an Abyssinian maid,
    And on her dulcimer she play'd,  40
  Singing of Mount Abora.
  Could I revive within me,
  Her symphony and song,
To such a deep delight 'twould win me,
That with music loud and long,  45
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!  50
Weave a circle round him thrice,
  And close your eyes with holy dread,
  For he on honey-dew hath fed,
And drunk the milk of Paradise.

To the Moon [fragment] By Percy Bysshe Shelley

   Art thou pale for weariness
Of climbing Heaven, and gazing on the earth,
   Wandering companionless
Among the stars that have a different birth,—
And ever changing, like a joyless eye
That finds no object worth its constancy?

Easter, 1916 W. B. Yeats

I have met them at close of day
Coming with vivid faces
From counter or desk among grey
Eighteenth-century houses.
I have passed with a nod of the head
Or polite meaningless words,
Or have lingered awhile and said
Polite meaningless words,
And thought before I had done
Of a mocking tale or a gibe
To please a companion
Around the fire at the club,
Being certain that they and I
But lived where motley is worn:
All changed, changed utterly:
A terrible beauty is born.

That woman’s days were spent
In ignorant good-will,
Her nights in argument
Until her voice grew shrill.
What voice more sweet than hers
When, young and beautiful,
She rode to harriers?
This man had kept a school
And rode our wingèd horse;
This other his helper and friend
Was coming into his force;
He might have won fame in the end,
So sensitive his nature seemed,
So daring and sweet his thought.
This other man I had dreamed
A drunken, vainglorious lout.
He had done most bitter wrong
To some who are near my heart,
Yet I number him in the song;
He, too, has resigned his part
In the casual comedy;
He, too, has been changed in his turn,
Transformed utterly:
A terrible beauty is born.

Hearts with one purpose alone
Through summer and winter seem
Enchanted to a stone
To trouble the living stream.
The horse that comes from the road,
The rider, the birds that range
From cloud to tumbling cloud,
Minute by minute they change;
A shadow of cloud on the stream
Changes minute by minute;
A horse-hoof slides on the brim,
And a horse plashes within it;
The long-legged moor-hens dive,
And hens to moor-cocks call;
Minute to minute they live;
The stone’s in the midst of all.

Too long a sacrifice
Can make a stone of the heart.
O when may it suffice?
That is Heaven’s part, our part
To murmur name upon name,
As a mother names her child
When sleep at last has come
On limbs that had run wild.
What is it but nightfall?
No, no, not night but death;
Was it needless death after all?
For England may keep faith
For all that is done and said.
We know their dream; enough
To know they dreamed and are dead;
And what if excess of love
Bewildered them till they died?
I write it out in a verse --
MacDonagh and MacBride
And Connolly and Pearse
Now and in time to be,
Wherever green is worn,
Are changed, changed utterly:
A terrible beauty is born.

What if you slept ... by Samuel Taylor Coleridge

What if you slept
And what if
In your sleep
You dreamed
And what if
In your dream
You went to heaven
And there plucked a strange and beautiful flower
And what if
When you awoke
You had that flower in you hand
Ah, what then?

Miracles, by Walt Whitman

Why, who makes much of a miracle? As to me I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love, or sleep in the bed at night with any           one I love, Or sit at table at dinner with the rest, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive of a summer forenoon, Or animals feeding in the fields, Or birds, or the wonderfulness of insects in the air, Or the wonderfulness of the sundown, or of stars shining so quiet and           bright, Or the exquisite delicate thin curve of the new moon in spring; These with the rest, one and all, are to me miracles, The whole referring, yet each distinct and in its place. To me every hour of the light and dark is a miracle, Every cubic inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every foot of the interior swarms with the same. To me the sea is a continual miracle, The fishes that swim—the rocks—the motion of the waves—the ships             with men in them, What stranger miracles are there?

The River, by Ralph Waldo Emerson

And I behold once more
My old familiar haunts; here the blue river,
The same blue wonder that my infant eye
Admired, sage doubting whence the traveller came,—
Whence brought his sunny bubbles ere he washed
The fragrant flag-roots in my father’s fields,
And where thereafter in the world he went.
Look, here he is, unaltered, save that now
He hath broke his banks and flooded all the vales
With his redundant waves.
Here is the rock where, yet a simple child,
I caught with bended pin my earliest fish,
Much triumphing, —and these the fields
Over whose flowers I chased the butterfly,
A blooming hunter of a fairy fine.
And hark! where overhead the ancient crows
Hold their sour conversation in the sky:—
These are the same, but I am not the same,
But wiser than I was, and wise enough
Not to regret the changes, tho’ they cost
Me many a sigh. Oh, call not Nature dumb;
These trees and stones are audible to me,
These idle flowers, that tremble in the wind,
I understand their faery syllables,
And all their sad significance. The wind,
That rustles down the well-known forest road—
It hath a sound more eloquent than speech.
The stream, the trees, the grass, the sighing wind,
All of them utter sounds of ’monishment
And grave parental love.
They are not of our race, they seem to say,
And yet have knowledge of our moral race,
And somewhat of majestic sympathy,
Something of pity for the puny clay,
That holds and boasts the immeasurable mind.
I feel as I were welcome to these trees
After long months of weary wandering,
Acknowledged by their hospitable boughs;
They know me as their son, for side by side,
They were coeval with my ancestors,
Adorned with them my country’s primitive times,
And soon may give my dust their funeral shade.

RIP, Umberto Eco

"..Those who don't read will have led only one life:their own! Those who read will have lived five thousand lives::they were when Cain killed Abel,when Renzo married Lucia and when Leopardi admired infinite........ because literature is backwards immortality"...

Umberto Eco, R.I.P.

Thomas Hardy, The Return of the Native

Her nerves extended into those tresses, and her temper could always be softened by stroking them down. When her hair was brushed she would instantly sink into stillness and look like the Sphinx. If, in passing under one of the Edgon banks, any of its thick skeins were caught, as they sometimes were, by a prickly tuft of the large Ulex Europaeus--which will act as a sort of hairbrush--she would go back a few steps, and pass against it a second time.”

Love in a Life, by Robert Browning

Room after room, I hunt the house through We inhabit together. Heart, fear nothing, for, heart, thou shalt find her, Next time, herself!—not the trouble behind her Left in the curtain, the couch’s perfume! As she brushed it, the cornice-wreath blossomed anew,— Yon looking-glass gleamed at the wave of her feather. Yet the day wears, And door succeeds door; I try the fresh fortune— Range the wide house from the wing to the centre. Still the same chance! she goes out as I enter. Spend my whole day in the quest,—who cares? But ‘tis twilight, you see,—with such suits to explore, Such closets to search, such alcoves to importune!

Virginia Woolf, Mrs. Dalloway

“Peter would think her sentimental. So she was. For she had come to feel that it was the only thing worth saying – what one felt. Cleverness was silly. One must say simply what one felt.” 

Annabel Lee, by EDGAR ALLAN POE

Annabel Lee

BY EDGAR ALLAN POE

It was many and many a year ago,

   In a kingdom by the sea,

That a maiden there lived whom you may know

   By the name of Annabel Lee;

And this maiden she lived with no other thought

   Than to love and be loved by me.

I was a child and she was a child,

   In this kingdom by the sea,

But we loved with a love that was more than love—

   I and my Annabel Lee—

With a love that the wingèd seraphs of Heaven

   Coveted her and me.

And this was the reason that, long ago,

   In this kingdom by the sea,

A wind blew out of a cloud, chilling

   My beautiful Annabel Lee;

So that her highborn kinsmen came

   And bore her away from me,

To shut her up in a sepulchre

   In this kingdom by the sea.

The angels, not half so happy in Heaven,

   Went envying her and me—

Yes!—that was the reason (as all men know,

   In this kingdom by the sea)

That the wind came out of the cloud by night,

   Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love

   Of those who were older than we—

   Of many far wiser than we—

And neither the angels in Heaven above

   Nor the demons down under the sea

Can ever dissever my soul from the soul

   Of the beautiful Annabel Lee;

For the moon never beams, without bringing me dreams

   Of the beautiful Annabel Lee;

And the stars never rise, but I feel the bright eyes

   Of the beautiful Annabel Lee;

And so, all the night-tide, I lie down by the side

   Of my darling—my darling—my life and my bride,

   In her sepulchre there by the sea—

   In her tomb by the sounding sea.

The Raven, by EDGAR ALLAN POE

The Raven

BY EDGAR ALLAN POE

Once upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore—

    While I nodded, nearly napping, suddenly there came a tapping,

As of some one gently rapping, rapping at my chamber door.

“’Tis some visitor,” I muttered, “tapping at my chamber door—

            Only this and nothing more.”

    Ah, distinctly I remember it was in the bleak December;

And each separate dying ember wrought its ghost upon the floor.

    Eagerly I wished the morrow;—vainly I had sought to borrow

    From my books surcease of sorrow—sorrow for the lost Lenore—

For the rare and radiant maiden whom the angels name Lenore—

            Nameless here for evermore.

    And the silken, sad, uncertain rustling of each purple curtain

Thrilled me—filled me with fantastic terrors never felt before;

    So that now, to still the beating of my heart, I stood repeating

    “’Tis some visitor entreating entrance at my chamber door—

Some late visitor entreating entrance at my chamber door;—

            This it is and nothing more.”

    Presently my soul grew stronger; hesitating then no longer,

“Sir,” said I, “or Madam, truly your forgiveness I implore;

    But the fact is I was napping, and so gently you came rapping,

    And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you”—here I opened wide the door;—

            Darkness there and nothing more.

    Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortal ever dared to dream before;

    But the silence was unbroken, and the stillness gave no token,

    And the only word there spoken was the whispered word, “Lenore?”

This I whispered, and an echo murmured back the word, “Lenore!”—

            Merely this and nothing more.

    Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

    “Surely,” said I, “surely that is something at my window lattice;

      Let me see, then, what thereat is, and this mystery explore—

Let my heart be still a moment and this mystery explore;—

            ’Tis the wind and nothing more!”

    Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately Raven of the saintly days of yore;

    Not the least obeisance made he; not a minute stopped or stayed he;

    But, with mien of lord or lady, perched above my chamber door—

Perched upon a bust of Pallas just above my chamber door—

            Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,

By the grave and stern decorum of the countenance it wore,

“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,

Ghastly grim and ancient Raven wandering from the Nightly shore—

Tell me what thy lordly name is on the Night’s Plutonian shore!”

            Quoth the Raven “Nevermore.”

    Much I marvelled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning—little relevancy bore;

    For we cannot help agreeing that no living human being

    Ever yet was blessed with seeing bird above his chamber door—

Bird or beast upon the sculptured bust above his chamber door,

            With such name as “Nevermore.”

    But the Raven, sitting lonely on the placid bust, spoke only

That one word, as if his soul in that one word he did outpour.

    Nothing farther then he uttered—not a feather then he fluttered—

    Till I scarcely more than muttered “Other friends have flown before—

On the morrow he will leave me, as my Hopes have flown before.”

            Then the bird said “Nevermore.”

    Startled at the stillness broken by reply so aptly spoken,

“Doubtless,” said I, “what it utters is its only stock and store

    Caught from some unhappy master whom unmerciful Disaster

    Followed fast and followed faster till his songs one burden bore—

Till the dirges of his Hope that melancholy burden bore

            Of ‘Never—nevermore’.”

    But the Raven still beguiling all my fancy into smiling,

Straight I wheeled a cushioned seat in front of bird, and bust and door;

    Then, upon the velvet sinking, I betook myself to linking

    Fancy unto fancy, thinking what this ominous bird of yore—

What this grim, ungainly, ghastly, gaunt, and ominous bird of yore

            Meant in croaking “Nevermore.”

    This I sat engaged in guessing, but no syllable expressing

To the fowl whose fiery eyes now burned into my bosom’s core;

    This and more I sat divining, with my head at ease reclining

    On the cushion’s velvet lining that the lamp-light gloated o’er,

But whose velvet-violet lining with the lamp-light gloating o’er,

            She shall press, ah, nevermore!

    Then, methought, the air grew denser, perfumed from an unseen censer

Swung by Seraphim whose foot-falls tinkled on the tufted floor.

    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee

    Respite—respite and nepenthe from thy memories of Lenore;

Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”

            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—

Whether Tempter sent, or whether tempest tossed thee here ashore,

    Desolate yet all undaunted, on this desert land enchanted—

    On this home by Horror haunted—tell me truly, I implore—

Is there—is there balm in Gilead?—tell me—tell me, I implore!”

            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!

By that Heaven that bends above us—by that God we both adore—

    Tell this soul with sorrow laden if, within the distant Aidenn,

    It shall clasp a sainted maiden whom the angels name Lenore—

Clasp a rare and radiant maiden whom the angels name Lenore.”

            Quoth the Raven “Nevermore.”

    “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—

“Get thee back into the tempest and the Night’s Plutonian shore!

    Leave no black plume as a token of that lie thy soul hath spoken!

    Leave my loneliness unbroken!—quit the bust above my door!

Take thy beak from out my heart, and take thy form from off my door!”

            Quoth the Raven “Nevermore.”

    And the Raven, never flitting, still is sitting, still is sitting

On the pallid bust of Pallas just above my chamber door;

    And his eyes have all the seeming of a demon’s that is dreaming,

    And the lamp-light o’er him streaming throws his shadow on the floor;

And my soul from out that shadow that lies floating on the floor

            Shall be lifted—nevermore!

Pablo Neruda, 100 Love Sonnets

I love you without knowing how, or when, or from where. I love you simply, without problems or pride: I love you in this way because I do not know any other way of loving but this, in which there is no I or you, so intimate that your hand upon my chest is my hand, so intimate that when I fall asleep your eyes close.

Aware, by D. H. Lawrence

Slowly the moon is rising out of the ruddy haze,
Divesting herself of her golden shift, and so
Emerging white and exquisite; and I in amaze
See in the sky before me, a woman I did not know
I loved, but there she goes and her beauty hurts my heart;
I follow her down the night, begging her not to depart.

Norwegian wood, by Haruki Murakami

In any case, though, I believe that I have no been fair to you and that, as a result, I must have led you around in circles and hurt you deeply. In doing so, however, I have led myself around in circles and hurt myself just as deeply. I say this not as an excuse or means of self-justification but because it's true. If I have left a wound inside you, it is not just your wound, but mine as well. So please try not to hate me. I am a flawed human being - a far more flawed human being than you realize. Which is precisely why I do not want you to hate me. Because if you were to do that I would really go to pieces. I can't do what you can do: I can't slip inside my shell and wait for things to pass. I don't know for a fact that you are really like that, but sometimes you give me that impression. I often envy that in you, which may be why I led you around in circles so much.

Haruki Murakami, Norwegian Wood